I was thinking about the classic park in Manila. “Rizal Park, also known as Luneta Park or simply Luneta, is a historical urban park in the Philippines. Formerly known as Bagumbayan in the era of colonialism under the Spaniards.”
For many a decade if you trained in Manila, the Philippines, a must go-to place is this park. Many, many famous people have taught and gathered here. And when we were in Manila, we were either at the Presas school, this park or at the college where Ernesto taught Arnis at those times.
It did bother Ernesto a bit at times at the park, because various FMA grandmasters would set up folding chairs and watch us. He would whisper, “You see dese guys? Dey are grandmasters. Dey are spying on me.”
This above photo is me and Shelley. Early 90s. There were only like 6 of us there, so it was pretty intense. Under his scrutiny all the time. We would go about 4 hours in the morning and about 3 1/2 hours in, there would be a break. Ernesto would say, “Take a break, then…examination time.”
This photo – Since we were so few, we also had his black belts as partners too, who were very helpful too. With Renato “Boks” Centro.
“Examination time?” we’d say in the beginning days. He was always “testing” us, but this would be a more real test for the last part of 3-4 hours. So…there was no break. We would walk off behind some trees or bushes and work through those ten minutes to hurry-review what we did. Then some water.
Then…the “Come on, COME ON!” “Speed motion!” …observation “test.
Then lunch. Then another 4 hours. 6 days on. 1 day off pace.
That top photo again. Me, Shelley Millspaugh and the big man GM watching us. Captain Rene, a Honduran fighter pilot is behind us. Shelley Millspaugh added: “Great memories. That first camp was as intense as you could’ve made it. I haven’t had that type of intensity since. GGM was the Energizer bunny. Never stops.”
Remy Presas frequently told this story in seminars. Many of us have heard this “leff story.”
After witnessing several bolo (machete fights) which I chronicled earlier on the Presas Group Page) , and after the somewhat underground “sport” of bolo fights began to disappear from deaths and maimings, rounded sticks replaced the bolos in fighting for money. (Not sticks shaped liked swords but rounded ones – something else I wrote about on the Presas page.) Remy fought these fights for money in boxing rings, cockfight arenas and wherever betting groups might gather. He told us that after a while, numerous people approached him to teach them and their sons how to stick fight.
“But I am leff,” he told them. Left-handed. “And dey were right.” He said he could not teach them. They pushed the requests.
“But de money became so good…I become right.” He started to teach them the stick with his right hand. Much of it was longer range stick dueling (“of course, you could just hit de man in de head with a stick.” – he would often say, when discussing complicated moves.)
And as Remy has said often, the double sticks help teach the “other side” anyway.
In short, really short – lefty versus righty has always been a big thing in sports. The southpaw boxer. The lefty pitcher versus the righty hitter in baseball. Lefties are 1 in 10 people. This is an advantage for them simply because most sports folks and fighters have built up a “versus righty” repertoire, a library in their head, even like in their “subconscious” of what tiny steps and moves a righty does to hit, kick and position them. The most subtle increments are stored in the brain. We use them as tip-offs. We see less of these reps from a lefty, as there are less lefties.
“I become right. I become good.”
And he made a lot of money teaching righties. But still fighting too. (and he had a few jobs too. Working at a family shipyard and…not known by many, a barber.)
He would say in seminars about the money stick fights…
“Round one, I am right. – Ding. Round two, I am right. – Ding. Round three…I am leff. I win!”
His eyebrows would raise. We all would laugh. We got it.
Remy became as ambidextrous as possible. In close quarters, he could switch hands effortlessly and really foul up your brains. He taught this inside the newer tapi tapi. He taught this on the single stick versus double stick drills, as you must go single stick right and left-handed versus the double sticks. (Ernesto did this too.) These were Presas “leff” priorities which I can’t say I found “up front” in many other FMA systems.
(I remember one Inosanto seminar many, many years ago in Irving, Texas where, for about 2 or 3 hours on a Sunday, we did left-hand sumbrada. It freaked all the experts out. We became bumbling idiots)
As taught to me from several FMA instructors from the Presas Family to the Inosanto family, going back decades, the classic “Chain of the____ (fill in the blank)” drills were an important stage in training progressions.
Chain of the Hand – cadena de mano Chain of the Stick – cadena de baston Chain of the Knife – cadena de daga
It essentially is blocking (as in hitting the attack very hard), then grabbing the attacking limb with your free/support hand. Or grabbing the attacking stick itself too, if that’s the case. Shoving the grab out of the way and hitting back with your hand, or your stick, or your knife. From….
From the outside right position From the inside right position From the inside left position From the outside left position From above, right or left From below, right or left
It, in my opinion is usually practiced too cavalierly and too slowly and can create a false sense of speed and success versus fighting in real time for unenlightened students.
And, it might be best against a diminished fighter – one already cracked in the head or say – knee, or against one who is quickly out of gas. Or, is untrained and nonathletic, drugged, etc… Some might call it “second tier” options. But watch the guys who make a living teaching this like I have seen in the Philippines and they are VERY fast and can snatch a fast limb or a speedy stick with good success. In fact, when I was about 30 years old and doing this stuff all the time, I got pretty good at it too. But, it ain’t easy. And remember not everyone you fight is a speedy boxer or stick fighter. Have you seen the Youtube clips lately? Grabbing is not impossible.
The word “chain” is used in many martial ways. We hear it in everything from chain punching to grabs to machine guns. These concepts go back to Europe also, and passed through the Philippines, as you will hear versions of these “Espanyol-ish” terms back in Spain, Portugal and Italy. We are quick to credit the Philippines for a lot of stuff, but we shouldn’t be so quick. I have seen the move in karate, American Apache knife fighting. Or football even (even roller derby!). You want to call it Wing Chun trapping hands? You can! Tapi-Tapi? Sure? Looks like Balintawak? Yes. As Remy would often say “it is all de same.”
Chaining with weapons: You’ve hit the attacking limb so hard, he drops the weapon! Yeah. Bloody good for you (this impact is trained in a progression series). But, what if he doesn’t drop the weapon? Well, crap! But maybe you have at least diminished his grip with a little pain? But sometimes your impact/block STOPPED his incoming attack. Stopped it long enough to be grabbed. This grab, is…the “chain of…something.” If you have virtually stopped or really slowed down an incoming attack, you might have a chance to grab the limb.
This, as explained to me so long ago I can’t remember by whom, – that hand grab, that hand catch, is the first “link” of survival. The first link of the chain. Link-Chain. Get it? Thus the “Chain of Something” has an official name for a chapter in training lifestyles. Thank you very much.
Of course, the next step in the chain is to block or stop that incoming strike after YOU’VE been grabbed. Then you, then he, then you, then he, then, then. Then…then you have a system of study for hand, stick and knife. I use the universal, unforgettable, Combat Clock for angles of attack, but you apply your chosen hobby’s angle of attack system to play the the “Then-Then” game. This ain’t brain surgery or rocket science.
Many martial artists and systems use this chain concept. Remy used the “Chains” too, These close-up “Chain” events. This area of course, is just a segment of a fight. I think some stick systems spend entirely TOO MUCH TIME here at the expense of other problems (like stick dueling for one). In the olden days, Remy was a real mover and head-banger and he spent copious amounts of time making us swing sticks and hit as hard as we could at longer ranges. Ernesto too.
Remy was fond of showing things and then stopping, looking at us and saying to us, “Of course, you could just hit the man in the head with a stick, but I want you to learn the art.”
First off that’s me and the “Irreplaceable” Tim Llacuna in March, 2018’s big Central California Stick seminar weekend at Ron Esteller’s Kaju. Though the Bay Area, CA seminar that weekend was listed as Force Necessary: Stick, I also promised a little segment on Filipino stick too, just to round things off. And, as a result, we got a request for…Filipino Sumbrada. And since I “sing for my supper” as Sinatra use to say, so we, by God, did us some Sumbrada.
Which…can be complicated for some folks to do such things. I am not a fan of Sumbrada, per say. I certainly do not believe it should be the foundation format for a system, as it somehow is for some, which I find short-sighted. It is but one drill in a bunch of skill drills/exercises. It has been declared a “dead drill,” blah, blah, blah and yes, to some extent I agree with these naysayers. But it is still a very universal drill for many, many Filipino systems and I…in good conscious, cannot put a PAC/Filipino practitioner out on the street that doesn’t know about Sumbrada and hasn’t fooled with it. I just…can’t. I’ve been forced, more or less, to mess with it since 1986 and that is why. It does develop a few healthy attack recognitions and mannerisms.
I first learned Sumbrada from Paul Vunak in the 1980s. Sumbrada means a few things, like “counter for counter” and sort of like “shadowing.” Sumbrada range is when the tip of your stick can touch the opponent’s head and your hand can touch the opponent’s hand. That hand contact is a very deep subject. People tend to forget that on the end of all these drills, you break the pattern. Like the Bruce Lee example, folks get busy looking at the finger and not the moon, people get too busy worrying over the pattern and forget you are supposed to free-style fight.
In that FMA-PAC course I require folks do hand sumbrada, single stick sumbrada, double stick sumbrada, Knife sumbrada, espada y daga sumbrada. And, we make folks do at least three inserts/interruptions for each, all in Level 7 of the PAC course. Sumbrada is just another exercise, among many exercises, which include wind sprints and chin-ups and beating tires and war posts, etc. Doing too much of one thing and not enough of other things is the real problem.
But the Force Necessary: Stick course is NOT Filipino martial arts stuff. There is no sumbrada in FN: Stick. The FN: Stick course is laid out this way:
Impact weapon vs hand
Impact weapon vs stick (rare, huh?)
Impact weapon vs knife
Impact weapon vs gun threats
Level 1: Impact Weapons & their Stress Quick Draws Level 2: Stick Retention Primer Level 3: Stick Blocking Primer Level 4: Single Hand Grip Striking Primer Level 5: Riot Stick (Double Hand Grip) Level 6: “While Holding,” Supporting the Stick Level 7: The Push Series Grappling & Spartan Module Level 8: The Pull Series Grappling & “Chain of the Stick” Level 9: The Turn Series Grappling & “In the Clutches” Level 10: The “Black Belt” Combat Scenario Test Level 11: Intensive Stick Ground Fighting Level 12: “Crossing Sticks” Stick Dueling Expertise Level 13: …and up…levels upon Individual request
Play it again Sam… “You must remember this. A stick is just a stick. A stick is not a sword. The fundamental things in FMA, changed as time….goes….by…”
Filipino stick training. Filipino martial arts. When it comes to the FMA stick, it’s kind of schizophrenic. As usual I write about things as they “come up.” And last weekend’s seminar was another example of the routine question I hear once in a while – “Hock, I study Escrima, and the instructor told me you can’t grab the other’s guy’s stick because it’s supposed to be a bolo.” (Bolo being FMA for the sword or machete)
“Yeees,” I say. “True,” I say. “But what we have here today is…just a stick.”
The fact that this question continuously pops up, is reason alone to write about it. A Filipino stylist should know about this sword/stick thing and be able to explain and articulate on the subject. A stick is a sword? A sword is a stick? Not really. Can’t grab? Shouldn’t grab? As a person doing Arnis/Kali/Escrima since 1986 as an obsession at first, and now as a curious hobby of sorts, let me sketch this out for you.
There are MANY Filipino systems, way more than you have heard of. We just know the lucky-break ones. And systems are being invented all the time. In most of these old and new systems, practitioners have replaced the “wooden” (rattan) stick for the machete, sword as a safer training device. This replacement causes the confusion.
Do Filipinos carry sticks around? No. I’ve been to the Philippines several times, in some big cities and out in the provinces like the Negros Islands and whether it be the municipal areas or the isolated jungles, no one is walking around with a rattan stick on their belts. Plenty of machetes though. Plenty of sharp knives and sharp farm tools. No sticks. In the Philippines, or say, in Mexico and just about any farming culture locations anywhere really, if you are to be killed with an edged weapon, it will probably be a nasty old, rusty farm tool. In Mexico I am told, the expression is, “you will be killed by the $5 knife.”
Remy Presas would tell me stories of his youth and how he watched men with crop machetes fight and die for sport and money on the Negros. But there was a safer way to do this! And they used the round stick instead, which Remy Presas did for money also. So, a sporting/betting alternative to the machete was born. The stick! (And by the way they did have dulled “training machetes” to use also, but the round stick caught on better. Oh, the lucky breaks.)
I guess for some I should introduce or remind folks the difference between a round stick and a flat sword/machete. You see, one is round. One is flat. There ya go! But really, they swing different, weigh different and if you are limited to flat edges, one should really be applied differently. A stick is an impact weapon that strikes with the tip, the staff of it, and the handle.
On the subject of the stick and sword handle – the sword handle can be round so to speak, but often very contoured and form-fighting for the hand. While the Filipino stick is usually just round with no designated end for an official handle. In fact it might be a little taboo to have a designated handle on your FMA stick? We sometimes grimace a bit when we see an over-taped or customized baston handle, don’t we? While FMA swords have all kinds of admirable, customized grips. And proud of it, too.
Many of the machetes around the world are single edge, and the swords are not necessarily single edged, and can come in all kinds of interesting and elegant shapes, but FMA swords usually that not big and wide like…like say, European broadswords. (Please do not send me photos of giant, Filipino broadswords – I know they exist – I used the word “usually.”) But with the “roundness” of a stick, you lose the very vital, flat-edge-ness of the sword. Oh yeah, and swords are more deadly, faster finishers and need less power application than sticks.
To accept the stick hand grab is too ignore sword tradition and perhaps believe that in our next street fight, we would be stick-dueling with some thug? The designated thug will use the exact same-sized, designated stick we have! Then again, will you be sword or machete dueling? Outside of a few big “civilized” countries? Well…yes.
Somehow the sword shape-shifted into the stick so deep in our hearts and minds. Oh, for the love of sticks! For decades, the FMA lover just used sticks, stick, STICKS! The art, the tricks of STICK fighting, stick-centricm alone developed. Many lovers do not know, or do not care that the sticks are supposed to be swords and machetes. And with the stick, comes a lot of double-hand grabbing and opponent stick grabbing. Look at Tapi-Tapi and Balintawak, for just two pop examples. We all accept the rules that sticks are sticks, sticks have become embraced in FMA and by God, we’ll grab them whenever and where ever we want.
So, in the 1990s stick enthusiasts came out of the traditional closest and started declaring “you must remember this, a stick is just a stick, a sigh is just a sigh. The fundamental things of living, as time goes by.” And I agree! Just understand you are using a stick. The round stick acceptance was easier for me perhaps because, being a cop, I always thought of the rattan baston as a police stick (or an axe handle). My interest in the FMA stick was not an esoteric, artsy pursuit. People are not “Kung Fu fightin’ – fast as lightning” with matching 28-inch sticks in the alleyways of London (I hear they are throwing a lot of acid these days) or on the south side of Chicago. I wanted to know stick/baton stuff.
Then, I somehow eased into decades of fun, hobby, certainly social, Filipino stick fighting/dueling stuff. I actually run TWO kinds of stick courses. One, the main big one is Force Necessary: Stick which explores blocking, striking and grappling with an modern impact versus hands, sticks, knives and gun threats. There is zero implication that this is based on any swords. And if you want me to? Ask me to? I will do the Filipino stick vs stick materials I have learned since 1986. Granted I have cut that down too. I play stick-checkers not stick-chess, seeking the essence of it all and not mindlessly, endlessly replicating established – and often BLOATED systems. Or while away my time, seeking out the next stick system, and oh the fascinating magic that THEY do. I don’t run a stick museum, and hell…it’s just a damn stick. (As Remy would often say – “of course, you could just hit the man in the head with the stick.”)
Isn’t it odd that a round stick is chosen to replace a flat bolo or sword? That is like replacing a flat katana with a round broom stick. Isn’t it? katana practitioners would never accept that.
So we learned that legions of FMA-ers picked up their rounded sticks, sewed on their Filipino patches in revolution and clickety-clicked onward. As though machetes and thin swords never existed. It really is amazing how many FMA-ers blindly accepted the rattan stick as the real-deal McCoy when you think of it. I mean what would Japanese Katana fanatics think of waves of people using broom sticks and calling themselves Katana experts? Would golfers use hockey sticks? Would Chinese fan fighters use tennis rackets? Would a carpenter use a file instead of a saw? Thus the odd, FMS Stick, schizophrenia I suggested.
Everyone seems so happy with their sticks and stick bags. But still, you can hear these darn spoil sports complain that you should not and cannot grab your stick with two hands, nor can you grab your opponent’s stick with your free hand because it’s a sword! You fool! How dare you! It’s a sword! A bolo! A machete!
The stick is just like the sword? Is this an excuse? That the universality of FMA weaponry makes them ever so interchangeable? Swords, sticks. Hands. Thin lamps. Rolling pins? “Who throws a shoe, honestly?” I don’t know because while some elements are the same, there are differences bigger than mere nuance. A sword…is kinda’…just like a sword.
In the last few years I have noticed an increase in…Filipino sword fighting! Yes. Haven’t you seen it? Hundreds of FMA folks have picked up the thin sword. FMA sword grandmasters have arisen from the ashes. I applaud their interest and their understanding that the whole FMA shebang really comes from swords and machetes. My old friends like Chris LaCava and Christof Froehlich, just to name a few, have jumped deep into the roots, understanding the big picture.
And listen up you “grab-complainer instructors!” If you are so damned offended by people grabbing sticks and forgetting the stick is a machete? Look what’s in your hand! Look what YOU teach with! PUT DOWN THE DAMN STICK AND PICK UP A TRAINING SWORD INSTEAD! That will straighten things out. You know, you can buy dull, safe training swords and plastic swords and machetes too. You are NOT limited to the round “wooden” stick as an abstract facsimile. If you are going have hissy-fits about it? Then practice what you preach and use a damn sword! Pick a theme! A direction! Seriously! If you think the stick is a sword? Don;t confuse your people. Just use a training sword.
If you use a stick? It’s a stick. Grab it.
So, play it again Sam…
“You must remember this.
A stick is just a stick.
A stick is not a sword.
The fundamental things in FMA, changed as time….goes….by…”
When was this? This big, “Filipino martial arts turning point” for me? Keep in mind, this is just me and my personal view on things. Don’t hate me cuz I’m viewtiful!
I started doing FMA in 1986, in among other arts like JKD, and had been doing the classic karate and jujitsu (not the Brazilian wrestling version of today). By about 1993 I had covered a lot of FMA material, been to the Philippines twice. Got black belts from both Ernesto Presas and Remy Presas.
The big turning point came with double sticks, of all odd, obscure things. In 1993, a friend called me and said, “Hey Hock, this weekend, Guro ______ is coming into Dallas! He is going to do two full days of the ______ double stick drills. Are you coming?”
Two full days of…double sticks? I guess this phone call had an epiphany moment for me when several ideas flashed through my head. I found myself confessing…
“Two days? Double sticks? Well, I think I’ll pass. I mean, how many double stick drills are there anyway?”
“You’re gonna miss it! A chance to learn THEE _______ double stick drills!”
When we hung up, I examined my epiphany moment. Well, from the Inosanto world, the Remy Presas world, and Ernesto Presas world, I’d already collected about 50 double stick drills according to my anal retentive lists I keep. FIFTY ! I suddenly asked myself,
“Why am I doing this?”
“How many more double stick drills could there be, anyway?”
“How different could they be after a certain basic point?”
“What makes them different and worth knowing?”
“How are they the same?”
How ARE they the same? I realized that it was more important to organize the drills, not from the hero-worship-“who” or the hero worship-“what” fan club systems, but instead how are the drills all the same? (It is counter productive and stifling to worship system-heads and systems.)
How are they so similar. And how and why am I wasting my time collecting endless double stick drills from a nearly endless group of known and unknown system-heads who all think theirs are ever-so-special. Many of which are so much the same and with only one slight different tweak here or there. Rather, smarter, I should instead try to understand the essence of all of them. The essential core. Then, teach the universal core.
I was already contemplating the differences between the Remy and Ernesto double stick programs. Remy seemed to have 5 or 6 basic patterns with variations. Ernesto had the classic “must know” list.
Then…then I asked myself why I didn’t view ALL aspects of the varied FMAs the same way? Why not find the universal core of FMA itself? Find the very of essence…
mano-mano
single stick
knife
double weapons
…in this clean, kind of scientific manner? Study these cores first. Deal with the needed and dismiss the probably unneeded and-or redundant and-or prissy variables.
Ray Medina and me doing the double deal, 1986. It all starts from the stick fight first!
There will always be happy museum and happy history collectors, who collect ANYTHING from ANYBODY. And then those who like to sort-of, name-drop stuff like – “at this point, Roohan moved his kneecap this way, while Roohan kept his meniscus right here…” I can talk some of that artsy smack too, just from training years osmosis. I can delight the esoteric fanatics with these tidbits of meniscus positioning. I can also tell you that Ed Kranepool played first base for the Mets in the 1960s. Hey! I do know stuff! But how useful is it?)
Annnnd with that idea? I started constructing the generic PAC course. Pacific Archipelago Concepts, an irreverent, skeptical look at the related core of those related arts. This includes all the big systems in the Pacific Ocean. A lot of this work had been done, like with Kajukenbo (karate, jujitsu, kenpo, boxing).
This clean, generic, non-worship approach did not make me popular with some existing FMA entities, (some are cult-like) in fact I was suddenly shunned by some. And in the seminar business, it is still not my most popular or even my favorite course to teach, as I usually cover generic “combatives” for lack of a better term. But hey, FMA is fun to do, good exercise, a hobby with numerous abstract mental and physical benefits. And when asked to, I will happily cover it. I feel like if I can spread the core-foundation. Then anyone can more quickly blend into any FMA system they wish to pursue.
(By the way, I carried this “core” perspective over to combatives. In a way, this “double stick epiphany” in 1993 was an important idea in more ways than one. It gave me a mission. A purpose. A vision if you will. My pursuit, my study, my interest, my goal, is the universal generic.)
Back to 1993! I later asked that friend back in 1993, “How was the _______ double stick seminar?”
“It was great!” he said, “We did 30 drills. Most of them we already do, others just a little different here and there.”
